
South West & Scotland
Friday 5 September – Saturday 25 October 2025
Fashion in Film Festival’s 8th edition, GROUNDED, takes cinema as a lens through which to consider the complex entanglements between fashion and nature. Spanning cinema's history from the early 20th century up to the present moment – an era marked by escalating ecological crises – the season reveals fashion as both a barrier and a connecting tissue between humans and the natural world. In the Western psyche, humanity and nature are often perceived as distinct entities, with phenomena such as landscapes, oceans, flora, and fauna frequently regarded as passive resources, picturesque mise-en-scenes or, worse, dumping grounds for human activity. Pulling at the threads of conflicting and overlapping viewpoints, GROUNDED seeks to illuminate and renegotiate such an anthropocentric worldview.
The imaginative and sensory world of cinema is our way towards an expanded understanding of themes including production and disposal, hybridity and interdependence, migration, social justice and environmental harm. Taking a decentred perspective, GROUNDED features over 80 films from around the world including many rarely-screened works. Hosted across 16 venues in London, South West England and Scotland, the programme boasts several UK premieres and new archival restorations, as well as talks, introductions, Q&As and ciné concerts. Festival highlights include a musical commission by experimental choir Musarc and films by artists, filmmakers, animators and image-makers such as Ulrike Ottinger, Brothers Quay, Kôsai Sekine, Rosine Mbakam, Wang Bing, Věra Chytilová, Cecilia Vicuña, Alexandra Gulea, John Akomfrah, Juliana Curi, Segundo de Chomón, Rocio Mesa, Shireen Seno, Suzan Pitt, Janie Geiser, Seba Calfuqueo, Jan Švankmajer, Osbert Parker and Jack Davison – among others.
Through five distinct but overlapping strands – From the Ground Up, Uncommon Ground, Otherground, Shaky Ground and Ancestral Ground – the season attempts to ‘re-ground’ the concept of fashion within a nature that has its own agency and affects. It presents rich narratives spotlighting not only ecological and geopolitical concerns but also imaginative spaces of poetry, comedy, beauty, joy, horror, violence, and transgression.
Programme Curators: Marketa Uhlirova and Dal Chodha
Guest Curators: Christel Tsilibaris, Ray Sims, Cyana Madsen, Isabella Coraça, Elif Rongen-Kaynakçi, Mariana Cunha (CREAM), Sarah Cooper, Karen Alexander, Margarita Louca, Susie Evans and Becca Voelcker
Season Graphic Design: Kia Tasbihgou
Curatorial Assistant: Bambi Harlow
Marketing & Press: Letty Cole, Sarabi Hawke and Margaret London
Marketing Assistant: Harvey Byworth-Morgan
Environmental Consultant: George Barker
Research Assistants: Atlanta Anley, Mamady Diana and Lianne Piroddi
The festival is proud to partner with the following venues:
LONDON: BARBICAN CENTRE, CENTRAL SAINT MARTINS, GENESIS CINEMA, RIO CINEMA, THE HORSE HOSPITAL, GARDEN CINEMA, LONDON COLLEGE OF FASHION and REGENT STREET CINEMA
SOUTH WEST ENGLAND: WATERSHED BRISTOL, ARNOLFINI BRISTOL, EXETER PHOENIX and PLYMOUTH ARTS CINEMA
SCOTLAND: GLASGOW FILM THEATRE, GARNETHILL MULTICULTURAL CENTRE GLASGOW, DUNDEE CONTEMPORARY ARTS and EDEN COURT INVERNESS
Fashion in Film Festival is based at Central Saint Martins, University of the Arts London. GROUNDED: Fashion’s Entanglements with Nature is organised with the support of the BFI, awarding funds from the National Lottery. Additional support is provided by Central Saint Martins, Dana and Michal Malý, Margaret London, Czech Centre London and Ian Butler.
With special thanks to EYE Filmmuseum Amsterdam, BFI Archive, Národní filmový archiv, Les Archives françaises du film (CNC), FPA Classics Paris, Cinematek Brussels, Gaumont-Pathé Archives, Filmoteca de Catalunya, Filmoteca Española, Deutsche Kinemathek, The Japan Foundation, The Library of Congress, Creative Access, Tamara Anderson, Molly Cowderoy, Abla Kandalaft, James Hayes, Elza Rauza, Ranjit Ruprai, Rosie Greatorex, Peter Howden, Agnès Bertola, Caroline Patte, Regina De Martelaere, Arianna Turci, Tereza Sklenářová, Zuzana Štefunková, Josie Walters-Johnston, Naoki Watanabe, Josep Calle Buendía, Aide Fernandez, Anke Hahn and OKI Masaharu.
The programme wouldn’t have been possible without the precious advice, support and creative input from Danielle Knight, May Adadol Ingawanij, Paul Șoptirean, Sam Mitchell, Phoebe Davies, John McKnight, Maddy Probst, Tom Gunning, Daniel Morgan, David Schwartz, Tracey Whittingham, Ben McLaughlin, Reiki Zhang, Laurenz Brunner, Ivana Nohel, Sarah-Jane Meredith, Hywel Davies, Helen Brooks, Matt Malpass, Caterina Albano, Lucy Bolland, Renata Clark, Markus Nornes, Ruth Stella Lingford, Juliana Neufeld, Celia Kent, Phuong Le, Tamsin Blanchard, Chris Nield and Joe Hunter.
Big thanks also to Katy Louis, Emma Pettit, Grace Gabriele, Diamond Abdulrahim, Ashitey Akomfrah, Reinhild Feldhaus, Jonathan Gleneadie, Carsten Zimmer, Monica Hundal, Heidi Hammond, Melanie Ashley, Alistair O’Neill, Philip Clarke, Adam Murray, Olivia Oben, Willy Ndatira, Lindsay Pentelow, Rosemary Massiah, Darla Jane Gilroy, Kate Pelen, Monika Gravagno, Esther Lucas and Serife Dervish.
REGIONAL SCHEDULE
WATERSHED BRISTOL
Fri 5 Sep
18:00
Sat 6 Sep
11:00
15:00
18:00
Sun 7 Sep
15:00
ARNOLFINI BRISTOL
Fri 19 Sep
19:00
DUNDEE
CONTEMPORARY ARTS
Sun 21 Sep
11:00
14:30
EDEN COURT INVERNESS
Fri 26 Sep
18:15
Sat 27 Sep
11:30
18:00
GLASGOW FILM THEATRE
Fri 3 Oct
20:45
Sat 4 Oct
11:30
18:00
Sun 5 Oct
16:00
GARNETHILL MULTICULTURAL CENTRE GLASGOW
Sat 18 Oct
19:00
EXETER PHOENIX
Sat 18 Oct
11:00
18:00
TBC
TBC
PLYMOUTH ARTS CINEMA
Fri 24 Oct
19:00
Sat 25 Oct
11:00
18:00
This strand explores nature as fashion’s raw material and casualty. Featuring documentary films that foreground the process of textile making, it recalls current debates around the precariousness of natural resources.
II. Uncommon Ground
Here we speak about fashion’s effect on the world and its inhabitants. Labour, historical injustice and coloniality are perceived in nuanced and plural perspectives, reminding us of our own humanity, and complexity.
III. Otherground
This strand explores how fashion and nature interact within imaginative worlds conjured by the moving image in its varying materialities. Metamorphoses, fantasy, camouflage and digital shapeshifting blur the boundaries between human bodies and nature.
IV. Shaky Ground
Here we reveal the ecological and societal impacts of global industrial production, including the fashion industry (estimated to be the second biggest polluter after the oil industry). This strand accentuates how the poetic and philosophical power of cinema can act as a corrective to narratives around human labour and climate change.
This final strand uncovers themes of spiritual slumber and erratic ecstasy, recasting the fashion-human-nature connection as sensuous and deeply inter-relational. Fashion and costume here become a clarion call for a re-enchantment of the world.
SUPPORTED BY