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5 hand-picked high-profile contemporary artists have generously donated work to help raise money for the next Fashion in Film Festival in 2010. More...

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Texts now published online
All texts from our first catalogue (now sold out) are now available here.

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Limited edition catalogue
The 2nd Fashion in Film Festival “If Looks Could Kill” limited edition catalogue is selling out fast. Now available online from The Horse Hospital and SU Arts, and in store at Tate Modern book shop, BFI Southbank Film Store and Cinéphilia.

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The 2nd Fashion in Film Festival:

“If Looks Could Kill: Cinema’s Images of Fashion, Crime and Violence ”
Supported by Oasis

10-31 May 2008

Full Programme
Calendar

From stolen pearls to a glove left at the scene of the crime, from an excess of red lipstick to the postmodern gangster silhouette, the 2nd Fashion in Film Festival: “If Looks Could Kill” explores the compelling links between cinema, fashion, crime and violence. Tackling themes such as disguise , the expression of desire, juvenile delinquency and the corruption of beauty, the festival features a string of underworld characters and their prosecutors whose highly effective costume, styling and sartorial gestures helped define cinematic genres from detective to thriller, gangster, film noir and horror .

Kick-starting the festival are newly commissioned artist films screened at Tate Modern, followed by other highlights such as the rare screenings of Dario Argento's landmark Italian horror The Bird with the Crystal Plumage (1970); Elio Petri’s über-stylish futuristic thriller The Tenth Victim (1965); Mario Bava’s extravagant horror Blood and Black Lace (1963), set in a fashion salon; Vicente Aranda’s Fata Morgana (1965) based on, and starring Spain’s favourite ‘60s top model Teresa Gimpera; and Cindy Sherman’s darkly humorous flick Office Killer (1997). The festival is proud to present several London and UK premieres including Arne Mattsson’s Mannequin in Red (1958), filmed in stunning Eastmancolor, Kim Yong-gyun’s chilling thriller The Red Shoes (2005), and Karl Anton’s 1923 silent comedy The Kidnapping of Fux Banker, accompanied by a newly commissioned musical performance by DJ Charles Kriel. The vibrant programme also features a day of talks at the ICA: "TAKING STOCK: Cinema's Reservoir of Criminal Looks and Gestures," and more talks and film introductions by designers, critics and historians including Anna Battista, Bella Freud, Tom Gunning, Dylan Jones, Gilda Williams and Alice Rawsthorn.

Bringing together films from over ten countries, "If Looks Could Kill" presents an exciting opportunity to see highly acclaimed speakers, as well as a chance to revisit iconic classics and to discover rare archival gems. Spanning the last 3 weeks in May, If Looks Could Kill” runs at BFI Southbank, Ciné lumière, Institute of Contemporary Arts, Tate Modern and The Horse Hospital .

Full Programme

Calendar

 

 
 

 

Venue Information:

BFI Southbank
Belvedere Road
Southbank
London SE1 8XT
box office: 020 7928 3232

Ciné lumière, French Institute
17 Queensberry Place
South Kensington
London SW7 2DT
box office: 020 7073 1350

Institute of Contemporary Arts (ICA)
The Mall
London SW1Y 5AH
box office: 020 7930 3647

Tate Modern
Bankside
London SE1 9TG
box office: 020 7887 8888

The Horse Hospital
Colonnade
Bloomsbury
London WC1N 1HX
box office: 020 7833 3644
www.thehorsehospital.com

 

 
 

 

Fashion in Film is a collaborative research project based at Central Saint Martins College of Art and Design, and supported by numerous cultural and educational organisations internationally. Its wide-reaching biennial festivals showcase films in which fashion and costume play vital roles.

Programme Curator: Marketa Uhlirova
Associate Curator: Christel Tsilibaris

All credits

 
   
 
   
 


Les Vampires, Directed by Louis Feuillade, 1915. (C) Production Gaumont.


'Blood and Black Lace' Directed by Mario Bava. 1964


'The Tenth Victim' Directed by Elio Petri 1965. Image courtesy of BFI.


'The Lodger' Directed by Alfred Hitchcock. 1927. Image courtesy of The Cinema Museum.

   
 
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