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If Looks Could Kill: Cinema’s Images of Fashion, Crime and Violence More…

10 - 31 May 2008

Sharon O'Connor, Managing Director of Oasis comments: 'We are very excited to be sponsoring the second Fashion in Film Festival. These rarely seen films dating back to 1908 present us with a source of iconic fashion images which have visibly influenced the contemporary scene. The unique programme of new commissions highlights the creativity and originality of emerging talent and design, values shared and supported by Oasis'

'As a partner of the 2nd Fashion in Film Festival, Central Saint Martins is once again pleased to support the continuing research into the theory and practice of fashion, uniquely embodied in this wonderfully thrilling and stylish collection of films. The role of fashion, costume and styling in films spanning a hundred years reveals the special position that fashion holds in locating the drama of life, society and the human experience.' (Anne Smith, Dean of Fashion and Textiles, Central Saint Martins)

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If you don’t come in on Sunday, don’t come in on Monday: is contemporary clothing manufacture coming clean?

The Horse Hospital
12-13 October 2007

This event featured two documentaries and an artist video revisiting the highly troublesome subject of clothing sweatshops. In the beginning of the twentieth century, signs on the New York City sweatshop doors infamously announced: “If you don’t come in on Sunday, don’t come in on Monday.” Since then, issues of exploitation in the garment industry have been subject to much criticism, debate and action, culminating in the 1990s labour legislation changes and formation of organisations such as the Fair Labour Association. So, just what has happened to sweatshops since these new regulations came into force?

Two documentary filmmakers, Micha X. Peled’s (China Blue, 2005) and Amie Williams (No Sweat, 2006), recently brought (or smuggled) their cameras inside clothing factories in Asia and North America respectively. Their intention was to show that despite the garment industry legislations, factories continue to operate in shady ways with labour conditions that continue to be alarmingly poor.

The ever topical issues raised by Peled’s and Williams’s documentaries were picked up by a panel of clothing designers and manufacturers, representatives from trade unions and fair trade companies, journalists, academics and auditors. The discussion addressed the garment workers current conditions, good practices of clothes manufacture, successes and failures of the 1990s campaigns against sweatshops, the effectiveness of labour legislations and codes of conduct, consumer responsibility and the future of the apparel industry.

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Knitoscope Testimonies, Cat Mazza 2006

   
 
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