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Screen Search Fashion launched this week
Our friends at RCA and University of Brighton have launched a new website featuring fashion on film in the 1920s and 30s.
More...

Support Fashion in Film by buying art!
5 hand-picked high-profile contemporary artists have generously donated work to help raise money for the next Fashion in Film Festival in 2010. More...

In partnership with Artcycle.
Texts now published online
All texts from our first catalogue (now sold out) are now available here.

Limited edition catalogue
The 2nd Fashion in Film Festival “If
Looks Could Kill” limited edition catalogue is selling out fast. Now available online from The Horse Hospital and SU Arts, and in store at Tate Modern book shop, BFI Southbank Film Store and Cinéphilia.

sponsors and
partners
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| Fashion in Film
Festival at the Arnolfini
arts centre, Bristol |
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| Friday 28th to Sunday 30th
November 2008
From stolen pearls to a glove left at the scene of the crime, from
an excess of red lipstick to the postmodern gangster silhouette,
the 2nd Fashion in Film Festival: “If
Looks Could Kill” explores the compelling links between
cinema, fashion, crime and violence. Tackling themes such as disguise
, the expression of desire, juvenile delinquency and the corruption
of beauty, the festival features a string of underworld characters
and their prosecutors whose highly effective costume, styling and
sartorial gestures helped define cinematic genres from detective
to thriller, gangster, film noir and horror.
Programme features:
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The
Bird with the Crystal Plumage (L’uccello
dalle piume di cristallo)
Italy 1970 . Dir Dario Argento.
With Tony Musante, Suzy Kendall. 97 min. 35mm. |
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Co-Conspirators
(New Artists Commissions) + Intro
Exploring a range of subjects such as cursed clothing, obsessive
gestures and desires, and the history of the cinematic slap, eight
artists have collaborated with the Festival to create new films that
explore the themes of “If Looks Could Kill”. |
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The
Tenth Victim (La decima vittima)
Italy 1965. Dir Elio Petri.
With Ursula Andres, Marcello Mastroianni. 92 min. Digi-beta. |
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The
Rat
UK 1925. Dir Graham Cutts.
With Ivor Novello, Isabel Jeans. 80min. 35mm. |
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Purple
Noon (Plein Soleil)
France 1960. Dir René Clément. 115 min.
35mm.
Introduced by Stella Bruzzi, and Pamela
Church Gibson.
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| Photos: Arnolfini front of house and toilet door |
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| The festival is partnered by:
       
   
  
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| Check out the full FFF programme for London in May 2008
here |
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