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At the heart of this programme is cinema’s preoccupation with moments where reality meets fiction. For this, fashion’s acts of posing, dressing up, staging and masking offer ideal material. In a number of languages the word pose connotes not only a position or posture of the body but also artificiality and falsity in one’s conduct, in other words, pretence. By imitating cultural norms, models who pose become oddly reassuring fabrications. The collective observer moulds them as if they were inanimate objects. Similarly in this programme, the rich source of fascination is the confusion between the artificial body of a shop dummy and the real one of a poser who is shown in the moving image as momentarily immobilised and thus conspicuously exposed.
Four Beautiful Pairs
USA 1904. Dir A.E. Weed for American Mutoscope and Biograph.
How Mannequins Are Made (Come si fabbricano i manichini)
Italy 1941. Giornale Luce .
Mannequins à vendre
France 1938. Pathé Gaumont.
School for Mannequins
GB 1944. Pathé News.
Volume
France 2000. Dir Jean-Pierre Khazem.
I Feel
Belgium, UK 2005. Dir Jean-François Carly / SHOWstudio.
It’s Like Being (C’est comme etre)
Belgium 2003. Dir Marie France and Patricia Martin.
Photo Shooting
UK 2001. Dir Jen Wu.
Smooth with the Rough
GB 1944. Pathé News.
Shelley Fox 14
UK 2002. Dir Shelley Fox in collaboration with SHOWstudio.
Screening will be followed by Fashion photographer Jean-François Carly and fashion designer Shelley Fox in conversation with Penny Martin, Editor-in-Chief of SHOWstudio.
Sunday 21 May 17:00, The Horse Hospital.
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