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Screen Search Fashion launched this week
Our friends at RCA and University of Brighton have launched a new website featuring fashion on film in the 1920s and 30s.
More...

Support Fashion in Film by buying art!
5 hand-picked high-profile contemporary artists have generously donated work to help raise money for the next Fashion in Film Festival in 2010. More...

In partnership with Artcycle.
Texts now published online
All texts from our first catalogue (now sold out) are now available here.

Limited edition catalogue
The 2nd Fashion in Film Festival “If
Looks Could Kill” limited edition catalogue is selling out fast. Now available online from The Horse Hospital and SU Arts, and in store at Tate Modern book shop, BFI Southbank Film Store and Cinéphilia.

sponsors and
partners |
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Fashion in Film Festival
59 Positions, Erwin Wurm, Austria 1992 Since
its foundation in 2005, the Fashion in Film Festival (FFF)
has become a leading showcase for the common ground shared
by fashion and film.
The biennial festival premiered in London
in May 2006 with the brilliantly received programme “Between
Stigma and Enigma” and now has a touring schedule
which includes the Museum of the Moving Image in New York,
Kino Svetozor in Prague and Mode Biennale in Arnhem.
More than just a celebration of fashion
in film, the festival encourages critical response to its
content, and addresses current practices in the context
of film’s long history. Dedicated to promoting new
ideas and experimentation, FFF also commissions new work
in contemporary “fashion moving image”, bringing
together artists, designers, photographers, filmmakers,
performers and musicians.
Drawing on a rich film history and a wide
variety of genres, from feature and documentary film to
artist video, animation shorts and newsreels, FFF presents
a mix of popular culture, art and the underground which
shows how the moving image has represented and interpreted
fashion as a concept, an industry and a cultural form.
FFF is partnered and supported by a number
of major cultural institutions internationally, including
the University of the Arts London, Arts Council England,
Arts & Business, Film London, Institut Français,
Tate Modern, BFI Southbank, SHOWstudio and New York’s
Museum of the Moving Image and Tribeca Grand.
In addition to the biennial touring festival,
Fashion in Film's curators also collaborate on smaller projects
including special screenings, conferences and exhibitions. |
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Praise
heaped upon us
...the most fashionable film festival...
Women's Wear Daily, January 2007.
Should be absolutely
fabulous... This new festival shows an impressive and intriguing
engagement with clothes in the pictures.
Time Out, May 2006.
...the results on
show here demonstrate that movies are a better place for
displaying clothes in all their glory than catwalks ever
will be.
The Guardian Guide, May 2006.
A must-see for any
style-conscious movie buff. James Anderson, i-D June
2008.
Absolutely fabulous.
Metro 12 May 2008.
Lily Cole's
Pick of the Festival.
An impressively rich
and well thought out programme.
Virginie Sélavy, Electric Sheep Magazine.
... These rarely
seen films dating back to 1908 present us with a source
of iconic fashion images which have visibly influenced the
contemporary scene...
Sharon O'Connor, Managing Director of Oasis. More...
... The role of fashion,
costume and styling in films spanning a hundred years reveals
the special position that fashion holds in locating the
drama of life, society and the human experience.
Anne Smith, Dean of Fashion and Textiles, Central Saint
Martins:More...
Kirin Ichiban is often
associated with style, design and fashion so we're delighted
to be a
part of this exciting festival.
Kirin Ichiban.
I love Fashion in
Film’s approach to film and find their work supremely
dazzling and unique!
Steve Leggett, Program Coordinator National Film Preservation
Board, Library of Congress.
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| Festival
staff |
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Sarah Bronilla
Director of Fashion Marketing of VICE Magazine for the
first 5 years of inception, later joining LaForce &
Stevens PR as a Senior Account Manager for a variety of
fashion and retail brands, was Executive Producer for
Thunderdog Studios and a Freelance PR and Marketing Manager
for a variety of clients such as Something In The Way
Magazine, BIG Magazine, Ray Ban, Vogue Eyewear, and Kid
Robot. Currently, Sarah is PR Manager at exposure Communications
LLC.
Dorcas
Brown


Dorcas is a researcher and designer working in film, communications, web development and publishing. She has been with the Fashion in Film Festival since 2007 and has also worked with the Animated Exeter Film Festival, Central Saint Martins Enterprise and Innovation, Laurence King Publishing and the Research Centre for Fashion, the Body and Material Cultures.
Monica
Hundal
Devon
Dikeou
Jesus
Felipe
Séan O'Mara
Séan is Creative Director of STUFF London and a
long-time collaborator with M.A.I.D. and MA Textile Futures
at Central Saint Martins College of Art and Design. Currently
he is working on three book projects for the OMARARCHIVE
called Flake, Fez and Fast.
Drake Stutesman
Drake edits Framework The Journal of Cinema and Media
and holds a PhD in literature/film. Her articles on costume
design and fashion include publications in BFI and MoMA
presses, Schirmer’s Encyclopedia of Film (2006),
The Women’s Film Pioneer Source Book (2009) and
If Looks Could Kill (2008). Author of the cultural history
Snake (Reaktion Books, 2005), she is also a novelist and
is currently writing a biography of milliner/couturier
Mr. John, who designed for Garbo, Dietrich, Monroe and
many more. Her interviews with directors, writers and
costume designers include all honorees for New York’s
long running Designing Hollywood award ceremony. Co-chair
of The Women’s Film Preservation Fund, she also
co-programs the WFPF films in both MoMA’s and the
Tribeca Film Festival’s annual preservation series
and at Lincoln Center. She is Creative Consultant for
the forthcoming Broadway musical Family Fortune.
David Schwartz

David is Chief Curator at the Museum of the Moving Image,
New York. He curates the museum's wide-ranging film programs
and exhibitions and is the moderator for the museum's
Pinewood Dialogue series, featuring in-depth interviews
with significant creative figures in film and video. David
was Director of Programming for the 1998 Hamptons International
Film Festival and writes on film for publications such
as The Washington Post and Newsday. He has been a panellist
for the National Endowment for the Arts, the New York
State Council for the Arts and the Jerome Foundation amongst
others. Prior to joining the Museum in 1985, David was
a programmer at the Cinema Arts Centre in Huntington,
New York. He is currently a lecturer in Cinema Studies
at Purchase College.
Trong Nguyen

Trong G. Nguyen is an artist and curator based in New
York City. He is represented by the Fruit and Flower Deli
(New York) and has exhibited internationally in group
shows that include "Sequences: Real Time Festival"
(Reykjavik, Iceland), "2006 Havana Biennial",
and "Performa 05" (Artists Space, NY). Trong's
curating history is highlighted by "amBUSH!"
(Van Brunt Gallery, NY), "Who? Me? Role Play in Self-portrait
Photography" ( Zabriskie Gallery, NY), "From
New York with Love" (Covivant Gallery, Tampa, FL),
and the forthcoming "Never Late Than Better"
at the Elizabeth Foundation. He has also lectured at the
School of Visual Arts, Reykjavik Art Academy, New York
University, Columbia University, and the Catalyst Foundation.
In addition to writing a blog for Art:21, Trong is currently
the editor of Artslant and curator for ArtCycle.
Pat
Kirkham
Professor Pat Kirkham is a design historian,
lecturer and award-winning author. She teaches at the
Bard Graduate Center for Studies in the Decorative Arts,
Design and Culture in New York, and has written widely
on design, film and gender. Her work on film ranges from
silent cinema to more recent productions and from set
and costume design to the films of Charles and Ray Eames
and the film titles of Saul Bass. A Rolling Stones groupie,
she supports Newcastle United.
Jane Gaines
Jane Gaines is a Professor of Literature
and English at Duke University, where she founded and
directs the Program in Film/Video/Digital. Her interests
are film theory, new media, cultural studies, race theory,
and early film history. Jane has authored the following
books: Fire and Desire: Mixed-Race Movies in the Silent
Era ( University of Chicago Press, 2001), Fictions and
Histories: Women Film Pioneers (University of Illinois
Press, forthcoming) and Contested Culture: The Image,
the Voice, and the Law (University of North Carolina Press,
1991). She has received numerous prizes and awards, including
the Katherine Singer Kovacs Award for Best Book in Film/TV
Studies, an Academy Film Scholar grant from the Academy
of Motion Picture Arts and Sciences, and a fellowship
at the National Humanities Center.
Alex
Nahlous
Alexandria Nahlous has worked in fashion
and lifestyle public relations for over 6 years in Sydney,
London and New York. She also completed a three-year stint
at the US fashion magazine Harper's Bazaar. Alex has a
Bachelor of Arts in Art History/History at the University
of North Carolina, Chapel Hill and completed graduate
work in marketing with a focus on the arts and entertainment
at Macquarie University, Australia. A native Australian,
Alex has called New York City home for the past six years
and currently works for exposure Communications.
Andrew Bolton

Andrew is a curator at The Costume Institute at The Metropolitan
Museum of Art in New York. His exhibition Anglomania:
Tradition and Transgression in British Fashion (2006)
was an examination of Englishness as translated through
the ironic, theatrical, and historical gaze of late twentieth
and early twenty-first century British designers. At the
Metropolitan he has also curated Chanel, WILD: Fashion
Untamed, Dangerous Liaisons: Fashion and Furniture in
the Eighteenth Century and Blithe Spirit: The Windsor
Set. From 1999- 2002 Andrew was the Senior Research Fellow
in Contemporary Fashion at the Victoria and Albert Museum
and the London College of Fashion in London. During this
time he curated Men in Skirts at the V & A, as well
as The Supermodern Wardrobe and Sole Satisfaction at the
London College of Fashion. As V&A Curator of Contemporary
Chinese Fashion (1993-1999), Andrew presented Fashioning
Mao, looking at the commodification of the Chairman's
image by the fashion industry. Andrew has contributed
book and exhibition reviews to journals, newspapers and
magazines including Blueprint, The Observer and The Independent.
Donald Albrecht
Donald Albrecht is an independent curator and Curator
of Architecture and Design at the Museum of the City of
New York. He has organised several major exhibitions for
such organisations as the Library of Congress, the Getty
Center, and the Smithsonian Institution. Current projects
include the first retrospective of the work of architect
Eero Saarinen, primarily organised by the Finnish Cultural
Institute in New York from the collections of Yale University,
an international survey of contemporary sustainable housing
for the National Building Museum in Washington, D.C.,
and a major traveling retrospective on the work of architect
Moshe Safdie. As curator at the Museum of the City of
New York, Donald organised such shows as The High Style
of Dorothy Draper, Glass and Glamour: Steuben’s
Modern Moment, and The Mythic City: Photographs of New
York by Samuel H. Gottscho. At the Cooper-Hewitt Museum
in New York, he co-curated that institution’s first
two National Design Triennials of recent American architecture
and design. He was also exhibition director and catalogue
editor of the international travelling exhibition The
Work of Charles and Ray Eames, organised by the Library
of Congress and the Vitra Design Museum. He is a Fellow
of the American Academy in Rome.
Mary Barone

Mary is a writer and photographer covering art, architecture
and fashion. For over ten years, she’s been a contributing
editor at ZINGmagazine and projects include Gay Sex in
the ‘70s, still photographs by Tom Bianchi from
the film by Joe Lovett and Come Play with Me, a collaboration
with Zac Posen and Alexandra Posen. Mary has been a contributor
to ARTNET magazine since 1995 and her page Out With Mary
appears regularly on the site. She is currently consulting
with otherCRITERIA, a UK-based publishing house, on various
art-based publications. Mary has split her time between
New York and London since 1990.
Ann
Shuptrine
Ann Shuptrine is a visual artist and
creative consultant based in London. Her career in London
began in advertising and marketing where she developed
campaign strategies for various youth brands including
MTV and Motorola. Since completing an MA in Photography
and Urban Cultures at Goldsmith's College she has been
a consultant for various arts initiatives including the
London Architecture Biennale and continues to advise on
brand identity. A founder of the JAKA Art collective,
Ann also curates and exhibits internationally.
Barry Curtis

Barry Curtis is Emeritus Professor of Visual Culture at
Middlesex University, a Fellow of the London Consortium
and a visiting tutor at the Royal College of Art. He is
co-editor of the Locations series for Reaktion Books and
his book on the “haunted house” in film will
be published in 2008. He is working on a book on “Imaginary
Architecture” and has contributed to the catalogue
for the exhibition “Cold War Culture” at the
V&A this summer.
Louise Clarke
Louise Clarke is an editor, curator and
arts consultant. Recent exhibitions include the screening
of Curating Madness (Victoria & Albert Museum, 2005),
Beyond the Hide (Truman Brewery, 2005) and Case Study
(London, Plymouth, 2006). Louise’s work has been
published in New York ID magazine and Image and Text.
Her first book The Measure (2007) comprises of 75 commissioned
essays, photo shoots and interviews focusing on the influence
of London on the work of international fashion practitioners.
Louise worked as art consultant to über-collector
David Roberts helping build and promote his contemporary
art collection. She has been awarded a University of the
Arts Studentship to undertake PhD study at London College
of Communications to work on The Stanley Kubrick Archives:
project title Raising the Celluloid.
Raoul Shah

In 1993 Raoul launched Exposure, a creative communications
agency providing clients with integrated marketing and
design solutions for lifestyle brands. Initially managing
and representing brands such as Boxfresh, Dazed &
Confused, Converse and The Ministry of Sound, Raoul's
philosophy was to build brand credibility via the power
of network, by connecting brands with the right people.
Exposure has now expanded from London to Paris, New York,
San Francisco and Los Angeles, representing clients such
as Sony PlayStation, Triumph, Rizla and Stella Artois.
Raoul's particular focus is on the fashion, media and
lifestyle sectors with a current client portfolio extending
to Levi's, Dr. Martens, Umbro, Edun, Coca Cola and Land
Rover. Raoul is an obsessive collector, amassing anything
from The Clash memorabilia to snow-globes, skateboards
and Do Not Disturb Signs (once seen in the windows of
Liberty).
Alice Rawsthorn

Alice is the design critic of the International Herald
Tribune for which she writes the weekly design column,
and a columnist for the New York Times Magazine. Her columns
are syndicated to dozens of other newspapers and magazines
all over the world. Alice was director of the Design Museum
in London from 2001 to 2006, and before that an award-winning
journalist with the Financial Times. Her books include
a biography of the fashion designer Yves Saint Laurent
and a monograph on the industrial designer Marc Newson.
A trustee of the Whitechapel Gallery in London, she is
also a board member of Arts Council England.
Marco Pirroni

Marco Pirroni – as guitarist with Adam & The
Ants, Marco also co-wrote many of their songs. He later
worked with Sinead O’Connor, and in 2005 formed
The Wolfmen with his longtime collaborator Chris Constantinou.
The Wolfmen’s first project was a soundtrack to
Bravo’s acclaimed January 2006 series I Predict
A Riot, fronted by Loaded founder James Brown. They then
recorded original soundtracks for two silent films for
the inaugural Fashion in Film Festival, The Gay Shoe Clerk
(1903) and Amor Pedestre (1911).
In 2007 they collaborated with Daler Mehndi (the biggest
selling Indian artist in music history) and Primal Scream
for a cover of Screaming Jay Hawkins’ I Put A Spell
On You, which was used for an Alexander McQueen catwalk
show.
The Wolfmen are spending 2008 playing regular live dates
and putting the finishing touches to their debut album,
Modernity Killed Every Night, out 1st Sept 2008.
Alistair O'Neill

Alistair O'Neill is a writer and curator whose research
centres on fashion, photography and the interpretation
of visual culture particular to metropolitan contexts.
His first book London: After a Fashion (Reaktion Books,
2007) considers the relationship between fashion and modernity
in twentieth century London. Alistair's recent exhibitions
on various aspects of fashion include Fashion Lives (British
Library 2006), Wolf Suschitzky: Charing Cross Road in
the 1930s (Elms Lester Painting Rooms, 2004) and The Harry
Jacobs Archive (Fashion Space Gallery, LCF, 2003). Alistair
also collects and researches the career of the Savile
Row tailor Tommy Nutter.
Penny Martin

Penny Martin, Editor in Chief of SHOWstudio, is a curator
and writer on fashion and photography who has lectured
internationally. Since studying at Glasgow and Manchester
Universities and The Royal College of Art, she has worked
as a curator at The National Museum of Photography, Film
& Television and The Women's Library and as a Researcher
and Lecturer at Manchester Metropolitan University. Martin
curated the Vogue Laid Out exhibition at The V&A in
2000 and is an interviewer for The National Sound Archive.
She has also contributed to Blueprint, Beaux Arts, Numèro,
Frieze, i-D, UK Vogue, Japanese Vogue magazines and The
Independent and La Repubblica newspapers. Penny confesses
a minor obsession with dictionaries.
Caroline Evans

Caroline Evans is Professor in Fashion History and Theory
at Central Saint Martins College of Art and Design (University
of the Arts London.) She teaches and writes on 20th century
and current fashion, and is currently working on a history
of early fashion shows and modernism. Her recent books
are Fashion at the Edge: Spectacle, Modernity and Deathliness
(2003, reissued 2007), the co-authored The London Look:
Fashion from Street to Catwalk (2004), the co-edited Fashion
& Modernity (2005) and the co-authored Hussein Chalayan
(2005).
Stuart Comer

Stuart Comer is Curator of Film at Tate Modern. He oversees
film and video work for the Tate collection and displays
and organises an extensive programme of screenings, performances,
forums and events. He has contributed to numerous publications
and periodicals, including Frieze, Artforum, Afterall,
Parkett and Art Review. Writing projects include essays
for monographs on Tom Burr, Bik Van Der Pol, and Gillian
Wearing, an interview with Andrea Fraser in After Thought:
New Writing on Conceptual Art, and essays on Sharon Lockhart
and Dean Sameshima for Vitamin Ph, Phaidon’s recent
survey of contemporary photography. He is editing a forthcoming
publication on film and video for Tate. Recent freelance
curatorial projects include An American Family at CASCO,
Utrecht and Kunstverein Munich; America's Most Wanted
for The Artists' Cinema at the 2006 Frieze Art Fair, London;
and Double Lunar Trouble at the Whitechapel Art Gallery,
London. He was co-curator of the 2007 Lyon Biennial and
selector for the Studio Voltaire Annual Members Exhibition
2007. He was a member of the jurys for the 2006 BFI Sutherland
Trophy at the The Times BFI 50th London Film Festival,
the Oberhausen 52nd International Short Film Festival
2006, and the inaugural Derek Jarman Award for artists'
film and video in 2008.
Roger K. Burton

Roger K. Burton is a former Mod and the founder and director
of The Horse Hospital, a unique London venue for avant-garde
and underground arts, performance and music, now in its
15 th year. Roger is an independent stylist and costume
designer. Films he has designed wardrobe for include Quadrophenia
(1979), Vigo (1998) and Stoned (2005). He also owns the
Contemporary Wardrobe Collection est 1978.
Pamela Church
Gibson
Pamela Church Gibson is Reader in Cultural and Historical
Studies at London College of Fashion where she is now
developing a new MA in fashion and film. Pamela has researched
and written widely on the role of fashion and costume
in film and has researched the links between film, fashion,
fandom and the contemporary star system. She co-edited
Fashion Cultures (Routledge, 2000) and More Dirty Looks:
Gender, Pornography and Power (BFI, 2004) and is now working
on a book on fashion and celebrity.
Edward Barber

Edward Barber is a photographer and Director of Programmes
for Fashion Photography at the London College of Fashion.
A specialist in portraiture, his work is primarily concerned
with people, place and identity. In the City, his most
ambitious project to date, was published as a limited
edition book in 2000 and exhibited at the National Portrait
Gallery in 2001/2002. His 15-18/ Teenagers in their Rooms
project is touring the UK. Ed is currently shooting W1-World
One, a major series of portraits exploring global style
and identity in London's West End. Consequently, he is
often to be found in the cafes in the area doing visual
research into urban dress codes.
Karen Alexander
Karen is a film curator and a freelance consultant. She
has contributed articles to several books on film including
British Cinema of the 90s (London: British Film Institute,
1997), and as a cinema programmer she has organised numerous
film packages for festivals, conferences and exhibitions.
Karen's areas of interest are representation, gender,
identity and independent cinema. From 1998 - 2006 she
worked at the British Film Institute, with responsibility
for the strategic marketing of BFI Distribution and Archive
releases
Sarah Bunter

Sarah is a freelance creative producer for fashion brands
including Levi’s, Adidas and Target. She was previously
Deputy Director at Fashion East where she spent three
years working with emerging London designers such as Marios
Schwab, Gareth Pugh, Richard Nicoll, Meadham Kirchhoff
and House of Holland. With experience in casting and directing
events, Sarah works closely with the award-winning art
directors JJ Marshall Associates and brand communication
agency Cunning. She has enjoyed initiating and developing
fashion-led concepts for Absolut, T-Mobile, Visa and Topshop
and is currently working on Catwalk Genius, a new funding
initiative for young designers. Sarah’s real passion
is championing young talent and presenting the right thing
to the right people in the right way. She also loves to
read the credits in anything she can find.
Laura McLean Ferris
Laura McLean Ferris is an independent writer and curator.
She has worked for a number of organisations and projects
including Whitechapel Art Gallery, Paradise Row, ArtSway,
and the 52nd Venice Biennial 2007. She is a regular contributor
to ArtReview and NY Arts Magazine, and is currently developing
an exhibition on the theme of snags and glitches in a
domestic environment.
Stella Bruzzi

Stella is Professor of Film and Television Studies at
the University of Warwick. Her publications include Undressing
Cinema: Clothing and Identity in the Movies (1997), Fashion
Cultures: Texts, Theories and Analysis (co-edited, 2000),
New Documentary (2000 and 2006) and Bringing Up Daddy:
Fatherhood and Masculinity in Post-war Hollywood (2005)
and the BFI Classic on Seven Up (2007). Stella's main
areas of research interest are fashion and costume, gender
and identity in film, particularly masculinity, documentary
film and television.
Cathy
John
Cathy is a cinema programmer at the Barbican,
London, programming film festivals, seasons and special
events, including the London
Children's Film Festival. Cathy has worked with Fashion
in Film since
its inception and has chaired the Advisory Board since
2007. Committed
to supporting women within the film industry, Cathy sits
on the programming team of Birds Eye View film festival,
the major UK platform for female filmmakers and has also
curated a women's film festival at the Pacific Film Archive,
California.
Marketa Uhlirova
Marketa Uhlirova is Co-founder, Director and Curator of
the Fashion in Film Festival. She is also Research Fellow
in Fashion History and Theory at Central Saint Martins
College where she lectures in Fashion History and Cultural
Studies. Marketa has edited If Looks Could Kill: Cinema's
Images of Fashion, Crime and Violence (2008), co-edited
Between Stigma and Enigma (2006) and contributed to a
number of journals and publications including Art Monthly
and Fashion Theory. She has guest-lectured at Royal College
of Art, London College of Fashion, the Academy of Arts,
Architecture and Design, Prague, and the University of
Applied Arts, Vienna.
Christel Tsilibaris

Christel is Co-founder and Associate Curator of Fashion in Film, Exhibitions Coordinator at the Centre for Fine Arts, Brussels, Belgium and a freelance curator. Christel has worked in numerous art and cultural institutions such as the Courtauld Gallery, in London, the Museum of the Moving Image in New York and the Peggy Guggenheim Collection in Venice, Italy. She has also worked at the International Thessaloniki Film Festival in Greece. Christel was visiting lecturer of photography at Amersham and Wycombe College in 2006.
Inga Fraser

Inga Fraser is a London-based art historian and Associate Curator of Fashion in Film. She specialises in themes of layering and identity in costume and environment in 19th and 20th century photography and film, and has worked at the National Portrait Gallery since 2007 on a number of projects including the current exhibitions Beatles to Bowie and Twiggy: A life in Photographs (2009). Inga has previously contributed research to the V&A’s 2007 exhibition The Golden Age of Couture: Paris and London 1947-1957 and publications including Robert M. Burns’ (ed.) Historiography: Critical Concepts in the Historical Studies (2005).
Diane Pernet
Diane Pernet is known to the fashion world primarily as the uber-blogger for ‘A Shaded View on Fashion’, a website she founded in 2005. Since the 1980s Pernet has worked as a fashion designer in New York and after moving to Paris, as a freelance journalist associated with a range of magazines including Vogue, Elle and Zoo. Together with the artist Dino Dinco she co-founded the fashion film festival ‘You Wear It Well’ in 2007, touring Guggenheim Bilbao (Spain), UnHollywood Film Festival (New York) and le Festival International de Mode et de Photographie de Hyeres among others. Pernet is also a documentary filmmaker and talent scout for the Festival at Hyeres. In 2008 she curated ‘A Shaded View On Fashion Film’ which held at the Jeu De Paume National Gallery.
Jean-Francois Carly
Belgium-born, Jean-François relocated to London in the late 1990s to pursue his passion for photography, specialising primarily in fashion and portraiture. Carly has contributed to magazines such as Arena Homme Plus, Harpers Bazaar, Dutch, Mixte, Qvest, Sang Bleu, V magazine and Vogue Homme International. He has also produced numerous short fashion films, including collaborations with the SHOWstudio, Maison Martin Margiela and Oasis. His film work has been featured at the Fashion Film Festival, The British Film Institute, The V&A and the Institute of Contemporary Art London and his photographic work has been exhibited at the V&A, The Metropolitan Museum in new York, the ICA in Boston and the Foto Museum in Winterthur.
Margaret_

Margaret_ is a creative agency working across PR, marketing and events, and creates links between the commercial sector, the arts and creative industries. Margaret’s clients include Asos.com, the Baltic, the ICA, (remove haunch of venison as haven't done much for a while, also removed south bank centre) Oasis Stores, Paul Smith, Stag & Dagger Festival, Sony, onedotzero and FACT Liverpool. Margaret have collaborated with Fashion in Film Festival since their launch in 2007. Before co-founding Margaret_, Katy Louis spent six years as Marketing and Events Director for the Dazed Group which includes Dazed & Confused Magazine, Another Magazine, Another Man and DazedDigital.com among others. Emma Pettit is former Press Officer at the Institute of Contemporary Arts, London, and has extensive experience promoting arts and cultural events in the UK. Emma recently edited her first book Old Rare New (Black Dog, 2008) about vinyl and independent record shops. Alyn Horton has worked in fashion PR for nearly ten years, with clients form the luxury sector to the high street to emerging labels, including Burberry, Hackett, Dior Watches and Tom Ford.
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Marketa
Uhlirova
Inga Fraser
Dorcas
Brown
Christel Tsilibaris
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FFF Honorary Members
Donald
Albrecht
Stella
Bruzzi
Roger
K. Burton
Jean-Francois Carly
Pamela
Church Gibson
Louise
Clarke
Caroline
Evans
Monica
Hundal
Margaret_
Laura
McLean Ferris
Alistair
O'Neill
Diane Pernet
Marco
Pirroni
Alice
Rawsthorn
Raoul
Shah
David
Schwartz
Art direction
Séan O'Mara
Website
Jesus Felipe |
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