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Screen Search Fashion launched this week
Our friends at RCA and University of Brighton have launched a new website featuring fashion on film in the 1920s and 30s.
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Support Fashion in Film by buying art!
5 hand-picked high-profile contemporary artists have generously donated work to help raise money for the next Fashion in Film Festival in 2010. More...

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In partnership with Artcycle.

Texts now published online
All texts from our first catalogue (now sold out) are now available here.

2006 catalogue


Limited edition catalogue
The 2nd Fashion in Film Festival “If Looks Could Kill” limited edition catalogue is selling out fast. Now available online from The Horse Hospital and SU Arts, and in store at Tate Modern book shop, BFI Southbank Film Store and Cinéphilia.

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Dress, Attitude, Delinquency

 

     

 So what! Two tales of Juvenile Delinquency
Guest-curated by Roger K. Burton, costume designer and former mod.

Saturday 31 May, 18.20
The Horse Hospital

The media of the 1950s and early 1960s were obsessed with “rock’n’roll & out of control” juvenile delinquents. American and British filmmakers responded to this debate by producing a number of low budget teenage exploitation movies, most containing a strong moral message.

 

The Violent Years
USA 1956. Dir William Morgan.
With Jean Moorhead and Barbara Weeks. 56 min. DVD.

Set in status-conscious mid-50s Los Angeles, and from a screenplay by the one and only Edward D. Wood, Jr. (Plan 9 from Outer Space, 1959) comes a rare girl gang B-movie The Violent Years. As an act of rebellion, spoilt teenage daughter Paula becomes a thrill seeker and turns to crime together with her gang of untamed high school girlfriends. These girls might look sweet and innocent in their California sports styles of tight sweaters, pointy bras, waspy waists and sneakers but don't let their pretty faces fool you, as they are really cold-hearted criminals, and out to do anything that's bad.

The Boys
UK 1962. Dir Sidney J. Furie.
With Richard Todd, Dudley Sutton, Robert Morley. 123 min. DVD

The Boys readily illustrates the widespread discrimination directed at post-war youth by a conservative Britain. This gripping film centres around the media controversy that engulfed capital punishment at the time, and was one of the first British social melodramas to acknowledge the rise of teenage gangs and the resulting juvenile delinquency. The title characters are four working class teenagers, described here as “Teddy Boys,” all implicated in the murder of a night watchman. Furie makes a close study of the sartorial choices made by the boys who all sport the latest Italian slim-line style suits, made fashionable in the UK by Cecil Gee during the late 1950s, becoming a precursor to the mod style of the early 1960s.

 

 


The Violent Years, dir. William Morgan, 1956.


The Boys, dir. Sidney J Furie, 1962. Courtesy BFI

Get Carter
UK 1971. Dir Mike Hodges.
With Michael Caine, Britt Ekland. 112 min. 35mm.

Thursday 15 May, 18.30
ICA Cinema 1

With an introduction by Alistair O'Neill, Senior Lecturer in Fashion, and writer.

Bleak, violent and stylish. The iconic criminal look exhibited in Get Carter is burnt into the eyes of many. You may as well throw the gangster rulebook out of the window; Jack Carter (Michael Caine) wreaks havoc across Newcastle with little care to the consequences. As cold as the Tyne & Wear backdrop, Carter wealds his thuggish craving for revenge to murderous proportions. Armed with a double-barreled shotgun and a killer wardrobe designed by Vangie Harrison, Michael Caine gives a career defining performance. An old fashioned hoodlum in a grimy and transitional landscape is the quintessence of cool in this refreshingly rendered gangster film by Mike Hodges.
 

Get Carter, dir. Mike Hodges, UK, 1971. Courtesy BFI
     

Zoot Suit Riots
USA 2001. Dir Joseph Tovares.
Documentary. 60 min. DVD.

Monday 26 May, 20.00
The Horse Hospital

Tovares’s captivating documentary, part of the “American Experience” series on PBS, explores zoot suit culture through LA's infamous “Sleepy Lagoon” murder (1942). The killing of a boy at a party triggered a ruthless police manhunt and the subsequent show trial resulted in the conviction and imprisonment of a group of young Mexican American "zoot suiters" that many—including high-profile figures such as Orson Welles—thought to be innocent. The sensational trial added to the growing anti-zoot suit and anti-Mexican feeling in LA. The baggy attire was condemned as unpatriotic, and those who wore it as ignorant of the war effort. This sentiment eventually led to street beatings and ritual strippings of boys as young as 14.

With grateful thanks to American Experience and PBS.

 

 


The Zoot Suit Riots, dir. Joseph Tovares, 2002. Courtesy Corbis/Bettman

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