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If Looks Could Kill: Cinema’s Images of Fashion, Crime and Violence More…

10 - 31 May 2008

'I love Fashion in Film’s approach to film and find their work supremely dazzling and unique!' Steve Leggett, Program Coordinator
National Film Preservation Board, Library of Congress.



2nd Fashion in Film Festival “If Looks Could Kill” Catalogue out now.

'A must-see for any style-conscious movie buff' James Anderson, i-D June
2008

'Absolutely fabulous' Metro 12 May 2008

Lily Cole's Pick of the Festival

'An impressively rich and well thought out programme' Virginie Sélavy,
Electric Sheep Magazine

Fashion in Film Festival in GQ magazine: click here for more...

Sharon O'Connor, Managing Director of Oasis comments:
'... These rarely seen films dating back to 1908 present us with a source of iconic fashion images which have visibly influenced the contemporary scene..'

Anne Smith, Dean of Fashion and Textiles, Central Saint Martins:
'... The role of fashion, costume and styling in films spanning a hundred years reveals the special position that fashion holds in locating the drama of life, society and the human experience.'

'Kirin Ichiban is often associated with style, design and fashion so we're delighted to be a part of this exciting festival' (Kirin Ichiban)

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Co-Conspirators (New Artists Commissions)
 
 
SLAP, dir. Elizabeth McAlpine, 2008. Courtesy the artist and the Laura Bartlett Gallery. © Elizabeth McAlpine
     

Saturday 10 May, 19.00
Tate Modern, Starr Auditorium
Book tickets via Tate Modern or call 0207 887 8888

Exploring a range of subjects such as cursed clothing, obsessive gestures and desires, and the history of the cinematic slap, eight artists have collaborated with the Festival to create new films that explore the themes of “If Looks Could Kill” . Weaving together the work of photographers, performers, designers, artists and film-makers, the programme takes a long hard look at the fixations, joys and fears that can become attached to garments and styles of dress. The Co-conspirators artists are: Paulette Philips, Eloise Fornieles, Elizabeth McAlpine, Dino Dinco, Shannon Plumb, Wendy Bevan, Derrick Santini and Boudicca.

The diverse approaches include artist Paulette Phillips’ re-sequencing of Hollywood film clips, emphasising the viewer’s pleasure in watching female criminals and the visual codes that mark them as seductive deviants; photographer Derrick Santini’s tracing of a pair of gloves that encourage their wearers to commit the criminal act of frottage; and artist Shannon Plumb’s focusing on New York street corners and the identification of criminals through their appearance. Performance artist Eloise Fornieles has collaborated with cameramen in an interactive gallery performance, which examines the relationship between wasteful consumption and violence , and artist Elizabeth McAlpine has choreographed sequences of slaps from the history of cinema, identifying them as a particularly female form of violence.

Co-conspirators generates a dialogue between several different art forms and creative industries, including film, art, photography, performance and design, and encourages experimentation by artists for whom the moving image is not a primary medium.

Co-conspirators is guest-curated by editor and curator Louise Clarke and writer and curator Laura McLean-Ferris.

Co-Conspirators will also be shown at the Gallery at Sketch on 31 May 2008, 10am – 5pm , 9 Conduit Street , London, W1S 2XG . www.sketch.uk.com

   
 
     

Fashion in Film Festival would also like to thank the following organisations and individuals who made this screening possible: Kirin, John Prenn of Lacoste, Sara Meltzer Gallery, Stuart Comer at Tate Modern, Paradise Row, Danielle Arnaud Gallery, Laura Bartlett Gallery and Victoria Brooks at the Gallery at Sketch.

See also: Body Double X and Office Killer

 

 

     
 
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